Two Dimensions of Poetry: Dolce et Utile

At the outset we emphasize that the title of this post points to only two of multiple dimensions of poetry, and the following observations scarcely elucidate the contours or hint at the densities of either.

1. Dolce – the pleasure in and of itself, whether in, from, through, the rhythms, rimes (and rhymes), meter – the sounds, the imagery, the internal and external enunciations, the patterns. A case in point: “Forms, flames, and the flakes of flames.” With this as its concluding sentence, Nomad Exquisite (Wallace Stevens) holds inexhaustible delights, and waits for us to visit, as our spirit moves us, always there (and here) to rekindle and restore past joys that merge into present joys.

2. Utile – the mirror of, the receptacle for, the affirmation and enhancement of, our understanding; and in reverberations, what some call “soul.” A case in point: “Whither is fled the visionary gleam? Where is it now, the glory and the dream?” Who would dare answer? How can we know the answers, or seek to seek them, apart from the questions; and where within us emerge the impulses to revisit, to repose, the questions?